I have set aside 2010 to determine how I will wrestle with my photography. I have spent the last fifteen years complaining loudly, wishing that I could pursue my art more seriously, but have not had (or made) the time to give it full consideration. This year, with some encouragement from my wife and my father, I am taking a quasi-sabbatical to shoot.
It has been fun, but I must admit I find myself on a roller-coaster ride of self assessment. I am still too nervous to consummate some of the ideas I’m working on. There is the matter of collaborators, whose time I do not wish to waste until my skills are at a level I like… yet how can my skills get there if I’m not shooting what I really want to? Also, I shoot people – models mainly, and I find it daunting to be the one directing the shoot while having the least amount of experience on the set.
There are so many moving parts to this, and within the first few weeks I have already made the decision to go back to a style I know, shooting with available light. I want to get my studio lighting skills up to speed, but I don’t want to stop the creative process in favor of yet another technical aspect that ultimately yields no reward, other than being a tool in my box. I continue to shoot with lights, and am beginning to include them in the creative process, but it is still unnatural and stilted.
Even harder is the realization that I enjoy shooting, but the post-processing is incredibly time consuming. On top of that, a lot of the photographers I admire have a very strong vision, which relies on equal parts photography and image editing. A unique look is often a result of retouching as much as it is the initial capture.
The hardest part may be accepting the delta between the vision and the reality. Imagine having played the trumpet since high-school, and after 25 years you decide to take some time and join your buddies in a little jazz quintet. You’re gonna play at a friend’s bar once a week, and hopefully get booked for the occasional gig. Well, after years of listening to Miles Davis, every note coming out of your horn sounds like a stuck garage door, not an expression of unspeakable cool… All your friends love what you’re playing, but the internal critic – and those who play jazz themselves – see a lot of room for improvement.
Anyway, I know my genre, but I think I’ve been looking at too many masters. I’ve been trying to recreate shots and ideas from photographers whom I admire, but I will need to go my own way soon. I must remember that I am neither the dwarf of my fears, nor the giant of my dreams, and push on. Considering I’m two weeks into my first year, I am pleased with what I’m learning.
I will post a link as soon as I can get a site built. The Western Flatline is playing host to an occasional image, and Flickr is a dumping ground… but it’s better than an unviewed shoe-box full of prints.
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